4-25 Lighting Photo

Complementary Color Scheme

A complementary color scheme involves colors that are opposite one another on the color wheel. In this image they use Red furniture and green walls and green details.

Sketch Series 5: monochromatic and analogous

4-4 Lighting Photo

3-28 Lighting Photo

3-14 Lighting Photo

Daylight Model Poster

Daylight Model

PRECEDENT STUDY: STEVEN HOLL
We chose to research Steven Holl’s explorations through light as precedent for our daylight
model. We found the most inspiring design within his D.E. Shaw & Company Office design. Incorporatd
into this space is light through both color and texture. From this, we arrived at our
concept for our daylight model: A phenomena of “spatial color reflection” upon textured surfaces.
We also dicovered a product design of Steven Holl, entitled “Riddled Cabinet” that showed
the effects of high contrast light and shadow. These three properties (the effects of light on texture,
light and color, and high contrast light and shadow), have been explored also through our
own light model.

Lighting Sketch Series 2: Museum

I photographed the Weatherspoon Art Museum. They mostly used track lighting in their gallery spaces however, they did have a little natural light coming into the space. They also had accent lighting in the hallways.

Lighting Sketch Series 3: Library and Grocery Store

Lighting Sketch Series 3: Residence and Retail

2-28 Lighting Picture

Lighting Sketch Series 2: Retail Space

I took pictures of Ulta's lighting. They had accent lighting, flourescent lighting, natural lighting as well as task lighting in the back where the salon is.

Lighting Sketch Series 2: Restaurant

I took photos of the restaurant Thai Pan's lighting. They had track lighting along both walls, as well as, natural light coming through the front window. They also had candles on each person's table.

2-21-09 Lighting Picture

2-14-09 Lighting Picture

More Lighting Model Pictures

Lighting Evaluation 2-9-09

As a group, we evaluated the critique space on the fourth floor of the Gatewood building, at night. We agreed that this space was open and inviting for its classroom and critique space use. The dimly lit room contains only track lighting with no overhead florescent lights, creating a relaxing atmosphere for learning. There is a small amount of light that seeps in from the surrounding overhead lamps in the upper studio space through the open ceiling plan within the critique room. The large classroom has an intimate feel, because of the warm track lighting that is focused on the four walls that bring a sense of separation from the surrounding studio spaces. Overall, we thought that this space was more enjoyable at night, than during the daytime.

Lighting Model

2-3-09 Lighting Model

We did the lighting for a restaurant. We focused on ambient luminescence lighting, which minimizes the importance of all things and people. We experimented with what light did different textures and materials.

1-31-09 lighting picture

I chose to photograph the studio lobby at 11:30 in the morning

Assignment 1